- 3:46 pm - Tue, Apr 17, 2012
- 3 notes
We are back, and
I am prepared..
For your gnawing, your
needing, the way that you
feed me.
Provoke me please.
Emblazon my page with your words.
Fill me with something disturbed.
Somebody. Save me.
- 6:51 pm - Wed, Jan 18, 2012
- 3 notes
Language - AKA, a Weapon of Mass Destruction
Consider this quote: “Language is the armory of the human mind, and at once contains the trophies of its past and the weapons of its future conquests.”
The assumption can be made that language resides in the mind awaiting use. To make the rest of the quote clear, it must be deconstructed. The 15th century definition of armory refers to a place where arms are not stored, but manufactured, implying that language and its use is a creative process. The word trophy comes from trope, meaning “a figure of speech”; trophy means “a spoil or prize of war” from Middle French; together, trophy means a figurative prize; if language is a prize of war from the past, it must be an indestructible unit of value.
The word weapon comes from Germanic roots, most likely from the West Germanic tribes who invaded England in the 5th century AD, and who the Romans borrowed the word from to replace bellum (Latin for war, uncomfortably associated with beauty). Because the West Germanic tribes loved a great warrior, words relating to war infiltrated their culture (i.e. the word “wig”, like Wiglaf from Beowulf; incidentally, Beowulf is one of the earliest written pieces of the English language).
Language as a weapon can therefore:
- conquer, meaning “defeat, or vanquish” from Old French
OR
- conquer, meaning “procure by effort” from Latin
Therefore, language can be used as a weapon of mass destruction (subjugating other countries of non-native speakers) or elevate an object, person (Eliza Doolitle), etc..
In case you’ve lost track, that is: Language is a manufactured but indestructable unit of high value, with the power to destroy or exalt the culture and society of its native speakers, as well as the culture and society of surrounding non-native speakers.
AKA, a weapon of mass destruction.
- 9:53 pm - Mon, Jan 2, 2012
- 4 notes
Footnote
Floating from an asterisk, a shooting star
muck black nails grip
to lewd mouths, stretching their cracked lips, their brittle bones
for virgin words
to chew with teeth as sharp as knives.
Then spit up,
had,
a footnote in typed black text.
- 8:28 pm
- 1 note
Of inferior dirt
they call her thriving
a green queen among the withered weeds
pursuing apples rotted, sun-dried seeds
gourged with possom teeth
and grinning wide as the Atlantic
Her knuckles are bitten raw
bowing letters and postage stamps
to stocking-footed men
If she’s done it once, she’s done it twice before
Then,
how now my mousy, matted friend
smeared black with pitch and maple leaves
The winter is dead, and so are you.
- 8:53 pm - Sun, Dec 11, 2011
- 3 notes
human condition (trying to communicate)
brother, silence and hear:
our raw cries
translated into little words.
a robotic hand distorting our breath,
musical but inaccurate.
what did we expect, trying to ‘speak’
in such an existence based on patterns, repetition,
organization, mathematics, geometry
sacred, logical, infinite, but how it stifles our
HUMANITY.
unravel this pattern, brother
i need your skilled hands,
unwrap the equation, make everything one:
my sharp yells, my deep sighs,
learn my language.
bear with my cry, decipher it backwards
it leads to my heart
(out of alignment, far from
the universe’s mystic logic.)
had i not been thus intercepted, my sound would echo,
earth would know me,
would certainly wail back.
only then will we begin to realize
the humility and honor of the human condition
something like:
shaking on the mountain, eyes burning,
howling at the moon.
nina
- 6:39 pm - Sun, Dec 4, 2011
- 11 notes
onetimenotime:
none of my friends
want to talk
about my drinking problem
but
they love telling me
the terrible things
i did last night
- 7:25 pm - Fri, Nov 25, 2011
- 6 notes
a love poem
I.
My love for you burns
like the jalapenos i ate straight and dry
on an empty stomach or maybe
more like the juice i rubbed into my eye,
me wailing fit to die,
you laughing fit to cry.
II.
Some late morning I am
tickled pink and somewhat
terrified
of your sober and
someways twisting
fists.
III.
She woke up with
his hands around her neck:
he dreamt of protecting her.
nina
- 12:10 pm
- 3 notes
With an ignorant disposition
searching blindly in the dark
for
answers in a midnight game show
staged
in back alley, brick rooms
facing the white, white stars
reaching toward the poisoned blue.
A set of false teeth, a glove
gripping iron rods
rusted crimson red,
so old they’d bend and break
They would perish
under red brick weight
and dust.
Dust for red, red brick walls.
- 4:55 pm - Sat, Nov 19, 2011
- 5 notes
To kiss those lips
which so afflict the tongue, in bloody battle
do bleed scarlet red
to hiss mistakes of feeble men
and catch the jaw in yawning traps.
Clenched shut with ivory chains
grating gums to keep the nay-sayers sore,
and silent.
Do the ugly really speak and do the beauties sing?
The clenchéd jaws will never tell.
- 9:14 pm - Tue, Nov 8, 2011
- 7 notes
You are a serpent
you are the moon
you are a Sunday afternoon
You are a playbill
you are a book
You are the photograph I took
You are a pen
you are a quill
you are the erosion of my will
You are an apple
you are a tree
you are the sweet, sweet honey bee
And I
am irrelevant.
- 11:22 am - Fri, Nov 4, 2011
- 1 note
Winter rains
freeze white-wash skin
awaken
words forgotten,
and I
blinded with glass,
with liquid silk
remember the lines of forgotten prose.
- 12:07 am - Mon, Oct 17, 2011
- 6 notes
this is not a poem about our lips meeting
this is not a poem about my heart beating
this is not a poem about romance,
fingertips, or love, fast and fleeting.
this is a poem about the sweat on your neck
this is a poem about the places you’ve wrecked;
this is a poem about the way your mouth opens in a dogsmile,
all seething teeth, comical with heavy breathing.
this is a poem about the sounds our bodies make in the heat,
sticking and pulling again and again.
this is not a poem about your blue eyes
this is no fucking sonnet, no valentine’s day surprise,
this is a poem about the spreading of my thighs,
the sanctity of my sighs,
a hundred feeble tries,
the buzzed, undone flies.
this is not a poem about purity or candlelight or grace,
no glitter, no gold, nothing holy, no space.
this could be a poem about how i’m a whore,
and you know i’m not lying when i say i want more,
and how it just becomes one more chore,
but theres no topping that thing at the core,
and i find myself wondering whats in store
for motherfuckers like us who like what they see
and that its me for you and you for me,
and when i’m sittin’, wondering if this is all i can be
i’m still taking what i can; hell, it’s free.